BIOGRAPHY
Andreas Rutkauskas completed a BFA at the University of Manitoba, and an MFA at Concordia University in Montreal, where he now teaches photography in the Studio Arts department. His practice is broadly concerned with the historical and political landscape in response to shifting technologies. His recent projects have addressed the impact of Internet-based research on wilderness recreation (Virtually There), the duality of dystopia and desire in the suburbs (Suburb Beautiful), and the borderlands surrounding the Canada / US international boundary (Projet Stanstead).
Born in Winnipeg, Manitoba, lives in Montréal, Québec
SOLO & DUO EXHIBITIONS
| 2013 | Petrolia, Sporobole Centre en Art Actuel, Sherbrooke, Québec |
| Petrolia, Ottawa School of Art, Ottawa, Ontario | |
| To be titled, Judith & Norman ALIX Art Gallery, Sarnia, Ontario | |
| To be titled, Evans Contemporary, Peterborough, Ontario | |
| 2012 | Ground Truth, TRUCK Contemporary Art, Calgary, Alberta |
| 2010 | Virtually There, Galerie Projex-Mtl, Montréal, Québec |
| 2009 | Suburb Beautiful, Galerie Projex-Mtl, Montréal, Québec |
| 2008 | Peak, Galerie Art Mur, Montréal, Québec |
| 2007 | A Typological Survey of Canadian Suburbs, FOFA Gallery, Montréal, Québec |
| Peak, Galerie Projex-Mtl, Montréal, Québec |
GROUP EXHIBITIONS
| 2012 | Dots and Loops, Evans Contemporary, Peterborough, Ontario |
| Patrick Mikhail Editions, Patrick Mikhail Gallery, Ottawa, Ontario | |
| 2011 | Virtually There, Estevan Art Gallery, Estevan Saskatchewan |
| The Creation of Evolution, ODD Gallery, Dawson City, Yukon Territory | |
| Stanstead Project, or how to Cross the Border, Foreman Art Gallery, Lennoxville, Québec | |
| Topographies, Union Gallery, Kingston, Ontario | |
| Travelogue as Allegory, Royal Institute of Art, Stockholm, Sweden | |
| Art Souterrain, Part of the Montréal High Lights Festival | |
| Exposure Photography Festival, Canmore, Alberta | |
| 2010 | Before and After, (CONTACT festival), Launch Projects, Toronto, Ontario |
| Art Souterrain, Part of the Montréal High Lights Festival | |
| 2009 | Monumental, Galerie Projex-Mtl, Montréal, Québec |
| Entre + Deux, Galerie Les Territoires, Montréal, Québec | |
| 1+1=1, Espacio Mexico, Montréal, Québec | |
| Toronto International Art Fair | |
| 2008 | Modular Nature, Art Gallery of Mississauga, Mississauga, Ontario |
| Papier 08 Contemporary Art Fair, Westmount Square, Montréal, Québec | |
| Toronto International Art Fair | |
| 2006 | Imaging a Global Culture (CONTACT festival), Toronto Image Works, Toronto, Ontario |
| Photo de la Francophonie, University of Indonesia, Jakarta, Indonesia | |
| 2003 | Reservations for All, Ace Art Inc. Winnipeg, Manitoba |
| Visual Suspects, Martha Street Studio, Winnipeg, Manitoba |
ARTICLES & PUBLICATIONS
| 2012 | Chevalier, Geneviève. "Hiking the Trails of What is to Come." Ciel Variable. Number 92 |
| Amilhat, Anne-Laure. "Représenter ou performer les frontières: l'art contemporain pour saisir l'alphabet de l'espace." L'Archicube. Numero 13, December 2012 | |
| Rodriguez, Pablo. "Picturing Drift, Mapping Disorientation." Publication by TRUCK Contemporary Art in Calgary, July 2012 | |
| "The Work of Art and the Way Art Works." Poesis XIV, EGS Press, 2012 | |
| 2011 | Campeau, Sylvain. "Une Aura Intemporelle." ETC Revue de l'Art Actuel. Number 92 |
| Maisonneuve: A Quarterly of Arts, Opinions & Ideas. Issue 40, Summer 2011 | |
| Dandelion Magazine. Issue 37.1 (The Mapping Issue) | |
| 2010 | Brynjolson, Noni. “Virtual Explorations of the Sublime.” |
| 2009 | "Repenser nos villes et campagnes." Génération D'Idées. Vol. 2, Number 5 |
| Kozinska, Dorota. Review of Suburb Beautiful. ARTnews. Vol.108, Number 6 | |
| Crevier, Lyne "Spleen Urbain." ICI. Vol. 12, Number 25, Apr. 9 - Apr. 15, 2009 | |
| 2008 | Hatt, Gordon "Modular Nature." Brush Up. Fall + Winter 2008 |
| Crevier, Lyne "Au Sommet." ICI. Vol. 11 , Number 21, Feb. 28 - Mar. 5, 2008 |